Shooting On Film (or, The Annoying Ex-Girlfriend)

I love film, don't get me wrong. There's something just insanely special about permanently capturing light onto a physical object, as opposed to mere digital image sensor. The whole concept of that particular frame on the negative actually having been where it was taken just makes the photograph feel more intimate and personal. Call it nostalgia (even though I'm a youngin'), or call it hipster vintage. Either way, film is something that I just can't seem to detach myself from.

That being said, dealing with film is one of the most annoying things in the entire world. First of all, it costs a lot of money. If you can manage to find cheap C-41 film for $2 a roll, then develop just the negatives at a big-box retailer for another $2 a roll, you've already cost yourself $4 for anywhere from 24 to 36 exposures. Add on top of this the time you spend having to scan the negatives into a digital environment, and multiply this by however many rolls you plan to shoot, and you've just gained yourself a load of misery. To make matters worse, the film cameras I use are both unreliable. Sure, the results are often interesting and add a level of charm to the image, but I just wish my FED-3 at least had an exposure meter.

Still, I just can't shake the desire to shoot on film. Last year, I would shoot on cheap black and white film from China and develop it myself in a daylight loading tank with my trusty bottle of Diafine. Sadly, I needed money at the time, and decided to sell off much of that equipment. No matter how hard I try though, I know that I'll always come back to film, if only for a roll or two a couple times a year.

First FED-3 Test Shots

The first photographs from my recently-purchased FED-3 are in, and I couldn't be happier with the results. Though my local Wal-Mart still hasn't fixed their C-41 processing equipment, I actually shot a quick test roll with the camera right after I received it in the mail and prior to leaving on my trip. I didn't have a film scanner at the time, but I knew that even the negatives would be a good indicator of whether or not the camera produced satisfactory results. And my assumptions are now confirmed a couple weeks later.

Not only that, but I was also able to test out the scanning power of my new film scanner. I knew the Epson V500 was supposed to be good, but I am honestly blown away by how much quality this monster of a scanner offers at such low a price. I even had to knock the optical scanning quality of my scans from 6400dpi to 3200dpi, which still results in photo resolutions around 4400 x 2740 for a 35mm negative. It never hurts to have options though, right?