Flickr Find: The Destruction of Nagasaki

Though most Americans learn about the destruction of Hiroshima and Nagasaki in standard history classes, very few actually seem to realize the significance of this event. Many dark moments in history are preserved and remembered by photographs of destruction and despair, but very few images of the atomic bomb's sheer power exist. As stated in this article on Design Observer, the U.S. Government imposed a strict code of censorship with regards to Japan's destruction just over a month after their surrender. This was obviously put in place to lessen the realization of America's pure destructive power, and to lessen the human side of the conflict. Fortunately, some photographs survived.

Flickr user afigallo posted a comment on the previously aforementioned article, bringing to light a series of photographs taken by the user's grandfather just after the bomb dropped. These photographs, found in this Flickr set, were "smuggled" via shoe boxes, as the images were not meant to be leaked at the time. And thanks to Flickr's services decades later, these photographs can be shown to the world.

Nagasaki, victim of the world's second atomic bomb attack, was destroyed on August 9, 1945 at 11:02am. The American strike resulted in 73,884 fatalities, as well as another 74,909 injured and several hundred thousand diseased and dying as a result of radiation. Another 140,000 were killed in the attack on Hiroshima. The vast majority of these deaths were civilian casualties, as well as Allied POWs, Korean and Chinese laborers, students, and Japanese American citizens. Though defenders of the attack claim that the death toll of the war would have been much higher had an invasion been planned, opponents consider this claim illogical and the attack inherently immoral.

Idée Multicolr Flickr Search

I've seen quite a few Flickr API mash-ups, but this has got to be one of the most creative. Idée Inc. has created the "Multicolr Search Lab" that uses a collection of 10 million Creative Commons licensed images on Flickr to match photographs to a user-selected color palette.

As the user selects up to ten colors from the palette on the right, the mash-up searches an index of matched colors and pulls up results in the form of thumbnails, each linked to the image's Flickr page. Not only is this just plain fun, but because of Creative Commons licensing, an artist can quickly find images to use in a project (as long as he/she gives credit and shares alike). Idée's Piximilar, the engine behind this app, seems to be a very powerful and groundbreaking image analysis system. It will be interesting to see how this algorithm is incorporated into future projects. For now, you can check out Multicolr at http://labs.ideeinc.com/multicolr/.

Poladroid Simplifies Retro Photography

Veronica Belmont wrote on her personal blog yesterday about a new application called Poladroid. The software, a simple program offered in French and English, is currently available in beta for Mac OS 10.4 or later on www.poladroid.net. So what does this little 10mb program do? One thing, and one thing only. Polaroid.

Polaroid Corporation, makers of the retro instant-developing photo products we all love[d], actually filed for bankruptcy in 2001. Since then, all products branded "Polaroid" have merely licensed the name, and were most likely cheaply made in China (read: avoid anything with the name "Polaroid" on it). With the advent of digital photography, Polaroid cameras and film slowly entered into obscurity. Their simple nature and slow shot-to-shot speed made them a staple of urban street photography and contemporary vintage art movements. With digital, though, consumers could take shot after shot without much thought (rhyme zing!). Poladroid's purpose is to take those shots and turn them into the much-loved Polaroid-esque images of the past.

So why not just use a Photoshop plugin or batch script? Well, Poladroid is free, simple and fun. In order to process an image, all you do is drag the jpeg onto the program. A few seconds later, the "undeveloped" Polaroid is spit out, and begins slowly developing. Then you wait. And wait. And even though there's absolutely no reason for you to wait, you wait some more. And this is what makes Poladroid so charming. It's just like using a Polaroid camera, in a sense. You can only process up to 10 images too, just like a Polaroid film cartridge. And if you ask me, the results look pretty cool.

You can check out some of the images I've processed below, or you can find more on the program's official Flickr group.


Street Photography: Motorcyclist

I'm pretty sure I've said this before, but street photography is one of my favorite "genres." There's something about seeing individuals in their daily urban lives that I find fascinating. Too bad I live in the suburbs, right? This photograph was taken in Georgetown, Washington D.C. when I spent a few days there this last April. The photograph was converted to black and white, and was burned and dodged in Adobe Lightroom 2 (as usual). I'm not really into cars/trucks/anything with an engine, but I have a soft spot for motorcycles. Not those Harly-Davidson biker gang type motorcycles, but those modern, hip and trendy ones. You all know what I'm talking about, don't deny it. Back to the photograph, it's not really unique from a compositional standpoint. But because it combines elements that I view as interesting, I can't help but like this photo.

Stunning Press Photographs From Afghanistan

I absolutely love great photojournalism. I've always believed that photographs should tell a story, and photojournalists are often masters of this skill. Most individuals only know photojournalism as the photos that appear alongside news stories. In reality, a larger, and much deeper, world of phenomenal photography exists beyond this realm. Often times, truly remarkable photography is displayed by major magazines and news agencies in the form of photoessays. The Big Picture, however, brings to light wonderful works of photojournalistic art that otherwise might have gone unnoticed. I've written about The Big Picture before, and their content never fails to impress me.

A pair of ISAF soldiers stand on a hillside overlooking Kabul, Afghanistan on the night of January 11, 2008 (ISAF Photos)

A pair of ISAF soldiers stand on a hillside overlooking Kabul, Afghanistan on the night of January 11, 2008 (ISAF Photos)

In one of their most recent postings, The Big Picture highlights photographs taken by and of the International Security Assistance Force (ISAF), which is the UN Security Council's mission in Afghanistan that works separate from the United State's "Operation Enduring Freedom." The task force is "presently made up of over 53,000 troops from 43 different nations," which represents a large cross-section of world cultures. Living in the United States, one usually only hears about American troops overseas, which is a direct result of domestic ethnocentricity preached to the nation on both a local and national level. It is great to see these foreign troops appreciated, especially through these wonderful photographs. One thing that really jumped out at me in the image above is the landscape of the city at night. Anyone familiar with San Diego county knows that the climate and landscape of East County has much in common with the geography found in the Middle East. This photograph, complete with the illuminated antennas on the distant mountaintop, could have easily been taken in El Cajon or Santee.

German Bundeswehr army soldiers of the ISAF monitor a valley during a mission near Kunduz, Afghanistan on September 26, 2008. (REUTERS/Fabrizio Bensch)

German Bundeswehr army soldiers of the ISAF monitor a valley during a mission near Kunduz, Afghanistan on September 26, 2008. (REUTERS/Fabrizio Bensch)

Though I am not an advocate of war, and I strongly believe in peaceful diplomacy abroad, a large part of me wishes to become a war photographer. The emotional intensity involved with any conflict or war provides many opportunities for great photography and storytelling. As with any art form, I have seen many lackluster war photographs. But truly great photojournalists can take a simple subject--such as a soldier standing on a hillside--and create a feeling of wonder and awe. In addition to this, war photographers stand alone in their ability to truly capture the human side of war. Through their work, direct human emotion can be conveyed. Stories can be told, and lives can be touched. Photographs can inspire hope, and alternately fuel sadness and rage. The images I have posted here are only a sample of the truly great works of art found in The Big Picture's post on the ISAF efforts in Afghanistan, and I encourage everyone to click through explore this great photojournalism resource.

Photographs courtesy of The Big Picture, posted without commercial intent and solely for the purpose of increasing awareness of their blog.

Denver Alley

The photograph above was taken in Denver, Colorado back in July. I saw this alley and, without even thinking, snapped a photo of it. The original photograph was left on the cutting room floor, but was rescued the other day when I decided to do some creative editing on it. I won't go into details, as there are thousands of photoshop tutorial blogs out there for this specific purpose, but I will say that all edits were made in Adobe Lightroom 2. What I like about the resulting image is the immense amount of unpleasant detail. Let's make one thing clear: This alley was not a clean place. Not all photography is "pretty," yet photos that are "unpleasant" can still be visually appealing. The dirt and grime of the ground and walls are what makes this photo work.

Personal Collection: “Painted Clouds”

If you've been following my recent posts, you know the drill by now. The image above (best viewed at a larger size) was post-processed using Adobe Photoshop and Corel Painter X. The actual image is from a trip to Washington D.C. in April of this year. On the flight back from D.C. to San Diego, as we flew into the sunset, a friend of mine told me to take a picture of the clouds out of the window. I usually disregard shots taken out of airplane windows as mere snapshots, but this particular shot caught my eye. I've had the original shot in my Flickr photostream for awhile now, but I decided to re-process it with an abstract vision in mind. The "painted" version obviously has more vibrant color than the plain copy, but in reality, the actual colors out the window were closer to this new version than my old edit. It's also worth noting that I took this photo with an old Pentax lens I got on eBay for ~$30. At the time, I couldn't afford the Pentax-FA f1.4 50mm I have now, so I took the poor man's route. I've since sold it back online, but there's just something special about shooting with an old lens. I'm seriously considering buying an old m42 mount 50mm Industar lens to somewhat make up for the FED-2 I sold awhile back.

Personal Collection: “Color and Light”

Continuing on my quest to discover new editing techniques, I give you the above photo. This photograph was taken this past July in Denver, Colorado, near Larimer Square. My first step was to run the image through a plugin that simulates an HDR look, which allowed me to have slightly surreal lighting in the photo. From there, I warmed the image slightly (though I edited the image on my laptop, which has a much cooler display than what I'm used to on my iMac), then ran it through the auto-paint feature in Corel Painter X. Though much of my previous experimentation with Painter X focused on using the "painted" image as an accent, I really made it the main focus of this photograph. After the auto-painting was complete, I layered it on top of the faux-HDR image in Photoshop. From there, I adjusted the opacity of the "painted" layer, and made it slightly more transparent in the center to give the scene some depth. And there you have it! Now, if only the cafe in the image was authentic and not a Starbucks...